
神马影院(www.v62.cc)重磅推荐!来自其它地区的剧情片佳作《德拉克的回归》,于1968年惊艳亮相后便收获无数好评,如今本站已为您备好 HD 高清、4K 超清、1080P 多画质免费在线播放服务,让您随时随地沉浸式感受光影魅力。 这部由著名导演爱德华·格莱纳倾力执导,拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach等实力演员领衔演绎的作品,堪称剧情片领域的诚意之作。导演爱德华·格莱纳以独特的叙事视角和精湛的镜头语言,将故事讲得跌宕起伏又饱含温度;主演们用极具代入感的表演,让每个角色都鲜活立体、直击人心。无论是环环相扣的故事情节、细腻入微的角色塑造,还是精良考究的制作设计,都彰显着主创团队的匠心,更在情感内核与思想深度上引发观众强烈共鸣。 截至目前,《德拉克的回归》在各大影评平台斩获的高分评价,无数网友留言称其 “后劲十足”“值得 N 刷”。它或许是一部治愈人心的温情之作,或许是一部充满力量的励志篇章,亦或是一部悬念迭起的精彩故事,但无论何种风格,都能让您在观影过程中收获感动与思考。本站已于1771884625将这部口碑佳作收录至剧情片专区,下面就跟随爱德华·格莱纳的详细解读,一同走进《德拉克的回归》的精彩世界,开启这场难忘的光影之旅吧! 与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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